1523 Engraving, 118 x 75 mm Metropolitan Museum of Art, New York The saw was St Simon's instrument of torture. This engraving and the St Bartholomew are done in the 'corrugated style' where stereometrically simplified forms are contrasted with complicated systems of prominences and indentations so that the whole gives the impression of a compact massif broken up into big tablelands, craggy rocks and deep ravines. The preparatory drawing had been intended for the St John of the Great Crucifixion but was revised and used for this print.Artist:D?RER, Albrecht Title: St Simon Painted in 1501-1550 , German - - graphics : religious
Painting ID:: 63620
Albrecht Durer b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since. St Simon 1523 Engraving, 118 x 75 mm Metropolitan Museum of Art, New York The saw was St Simon's instrument of torture. This engraving and the St Bartholomew are done in the 'corrugated style' where stereometrically simplified forms are contrasted with complicated systems of prominences and indentations so that the whole gives the impression of a compact massif broken up into big tablelands, craggy rocks and deep ravines. The preparatory drawing had been intended for the St John of the Great Crucifixion but was revised and used for this print.Artist:D?RER, Albrecht Title: St Simon Painted in 1501-1550 , German - - graphics : religious
